This is a method of using fiber-reactive dyes mixed with a thickening paste to create a resist that gradually deconstructs, giving a series of similar-but-different prints. Although other artists have taught this technique, I love my "Deconstructed Screen Printing" DVD by Kerr Grabowski. I had taken a mark-making workshop with her a few years ago, at QSDS (Quilt Surface Design Symposium). She's an adorable gal with a fun personality and a very laid-back teaching style that nevertheless gives you ALL the information you need. I highly recommend her DVD, as it is two disks chock full of instructions, demonstrations, recipes for the techniques, and humor.
To get back to my DSP'd fabrics, after batching them I was pleased to see how well the colors held up, and thought I'd post a few of them here. These happen to be all cottons, but it works very well with rayons and silks, too.
The stereotypical rubber gloves used as resist. I just had to try it. (The dark blue line through the top is probably from having wrapped the fabric for batching while it was still too wet.) |
This image shows the further deterioration (or deconstruction) of the glove-printed resist. I love this color contrast. |
Grasses ... I believe some of the grasses were still stuck on the screen during this first printing. |
Here, the grasses have mostly been removed from the screen, and the printed dyes are darker where they had adhered. |
This is one of the final prints from the grasses. |
I'm calling these mono-screen-prints, because the dyes were simply screened through a blank screen. This actually shows 4 separate passes over the screen. Love the streakiness. |
As I was packing up to leave, I just had to try another mono-screen-print over a commercial fabric. |
I'm so glad I used prepared fabrics (pre-soaked in soda-ash solution) as my mop-cloths. These are kind of funky, but I might be able to figure out something to do with them. |